Skip to content

Plot: lesbian hitwomen face off against each other. A cop is caught in the crossfire.

If there’s one aspect in which Jing Wong always delivers it’s in selecting the most beautiful women for his various projects. The man simply has an eye for upcoming talent even if his projects tend to vary wildly in both quality and writing. Naked Soldier has no shortage of gun-toting babes with eccentric haircuts and extravagant, semi-futuristic wardrobes but is marred to no end by a formulaic, and frankly horrible, screenplay. For the most part Naked Soldier continues the franchise’s downward spiral by modeling itself more after the slick Naked Weapon (2002) than after the nearly psychotronic original that was Naked Killer (1992). Naked Killer (1992) had both borderline decadent pop-art style as well as Chingmy Yau in her prime. Naked Soldier was specifically designed for the more demure Mainland China market and Wong’s once-per-decade journey into the world of lesbian hitwomen and international criminal cartels has proven to be one of continuing diminishing returns. Chingmy Yau became a domestic superstar thanks to Wong, Maggie Q made it big in Hollywood… and Jenn Tse apparently went nowhere, staying a model celebrity in her own right – but little else.

Naked Soldier is the degeneration of the promise that Naked Killer (1992) manifested some two decades prior. This is by far the slickest, most futuristic-looking – and thus, most flatly uninteresting - of the triptych. Where Naked Soldier probably succeeds the most, defying odds and expectations if the prior installments are anything to go by, is the action choreography and direction. Corey Yuen Kwai and Yuen Tak went all out and Naked Soldier has some of the wildest, most acrobatic stuntwork and fighting routines the franchise has had so far. Even elder statesman of the genre Sammo Hung Kam-Bo is given every opportunity to show off his impressive skills. At 60 Hung is able to hold his own against and frequently surpass martial artists half his age. Obviously his time in company of Hong Kong icons Bruce Lee, Yuen Biao, Angela Mao, Jackie Chan and Jet Li has paid off. On the plus side, this being a production designed for the Mainland China market Wong’s more annoying tendencies are reined in accordingly.

The Naked Soldier herself is Hong Kong-born, Vancouver-raised model-turned-actress Jennifer Tse Ting-Ting (謝婷婷), a slender framed belle in the Maggie Q mold. Tse is the daughter of Hong Kong cinema mogul Patrick Tse Yin and actress Dik Boh-Laai and the younger sister of award-winning actor and pop singer Nicholas Tse Ting-Fung. Besides being a model for various companies and brands Jennifer holds a bachelor's degree in psychology from the University of British Columbia. Tse rose to prominence with the Manfred Wong Man-Chun biopic Bruce Lee, My Brother (2010), adapted from the Robert Lee novel chronicling Lee’s early years before international superstardom. That she would enter Jing Wong’s orbit seemed inevitable. Tse isn’t the next great Girls With Guns sensation to follow in the footsteps of Michelle Yeoh, Angela Mao, Moon Lee, Cynthia Khan or Yukari Oshima. After her tenure with Wong, Tse appeared in the costume epic Biography Of Buddha (2013) and Knock Knock! Who’s There? (2015). Her career seems to have stalled after The Recruit (2017), a Hong Kong short feature take on Roger Donaldson’s action-thriller The Recruit (2003) with Colin Farrell and Al Pacino.

While not entirely without merit Naked Soldier is as far from the nearly psychotronic pop-art excesses and nearly comic book violence of Naked Killer (1992) and the subdued sexiness of Naked Weapon (2002) as you’re likely to get. The story stitches together disparate elements from the prior two installments into a vaguely familiar recombinant. The concept of sexy rivaling hitwomen facing off against each other from Naked Killer (1992) remains the basis while the missing relative subplot from as well as members of law enforcement acting as point of view characters were refurbished wholesale from Naked Weapon (2002). The Naked franchise never recuperated from the loss of Chingmy Yau. Naked Soldier is conscious of the fact and is modeled more after Naked Weapon than after the original. The wardrobe and hairstyles are all on the extravagant side almost resembling Future Cops (1993) instead of Wong’s more grounded works. Naked Soldier amassed a meager HK$500,000 at the box office during opening week signaling clear audience fatigue. Keeping in mind the way Wong has been revisiting his flagship action franchise once per decade, the next chapter in the series is likely to arrive in 2022. Perhaps now is the time to return to the often neglected Category III beginnings to give the franchise a second lease on life?

In 1980 Interpol agent Lung Chi-keung (Sammo Hung Kam-Bo) is able to foil a grand-scale narcotics trafficking operation with an estimated worth of 35 million dollars. In retribution the cartel orders a hit on him and his family in their Florida home. A group of assassins swiftly swarm the house leaving much of Lung’s family bloodily killed with the agent sustaining heavy injuries and unable to stop the kidnapping of his youngest daughter Wen Jin. Lung Chi-keung is able to escape the onslaught and barely has fled the premises before his house is razed to the ground through an explosion. The agent is brought to the hospital to recover. With the young girl in tow Madame Rose (Ellen Chan Nga-Lun) and what is left of her unit disappear into the night. Back in her hidden headquarters Madame Rose wipes Wen-ching’s memory of her former identity and subjects her to extreme conditioning and training to become one of her prized operatives. Lung Chi-keung meanwhile vows to find his abducted daughter and makes Madame Rose the prime subject of all his investigations from that point onward.

Fifteen years later, in 1995, Lung is requested to lend his expertise as a consultant on an ongoing investigation into an international drug cartel. Lung partners up with senior inspector Sam Wong (Andy On Chi-Kit) and Pete (Timmy Hung Tin-Ming). On the home front Lung has his hands full with his tomboy adoptive daughter Lung Wai-chu (Kang Jia-Qi). Madame Rose orders a hit on 4 important players - Tigress (Jiang Lu-Xia), Honey (Ian Powers), Iron Wolf (Wilson Tong Wai-Shing) and Jimmy (Alain Ngalani) –that are part of an international drug ring of kingpin Power (Anthony Wong Chau-Sang). Madame Rose sends out her top assassins with Ivy (Lena Lam Kai-Ling), Selina (Ankie Beilke) and Phoenix (Jennifer Tse Ting-Ting, as Jenn Tse). The operation goes as planned only Phoenix has problems complying with her conditioning and leaves vital evidence on the scene. Ordered to assassinate Lung latent memories of her former identity start to come to surface and Phoenix has difficulty following the instructions she’s given. Black Dragon (Philip Ng Wan-Lung), a fellow trainee with a deep unrequited love for her, remains on her side for protection. What Sam Wong doesn’t realize is that the promising criminology student he met at the University of Taiwan is in fact Phoenix. Things take a turn of the complicated when Sam starts to develop feelings for Phoenix’ civilian student cover identity and when evidence confirms that she’s indeed Lung Chi-keung’s long-lost daughter. Can Phoenix withstand the goon squad Madame Rose has sent to kill her and become the Naked Soldier?

Why Wong insists on the 1980s prolog and the jump to 1995 for the main portion of the feature is anyone’s guess. Neither of the two decades are faithfully recreated. Besides the presence of an old VHS tape there’s nothing to place it in the decade it insists on allegedly being set in. The nineties portion doesn’t fare any better. The music and fashion is wrong and the technology featured is too advanced for the decade it is supposedly set in. There’s absolutely no excuse why the main portion couldn’t have been set in the then-present of 2012. References to popular culture are minimal and fairly inobtrusive. The most visible among these are Phoenix waking up in a green-red Freddy Krueger shirt and Ivy’s slaying of druglord Jimmy imitating the internal view of the 2011 Mortal Kombat video game with arteries rupturing and bones breaking. Naked Soldier relies heavily on CGI and as with most Mainland China productions it’s more of a hindrance than a help. Thankfully there’s plenty of action and the martial arts routines are probably the best of the series thus far. If only Jing Wong spent as much time on the screenplay as Corey Yuen Kwai did on the choreographing the action sequences.

There’s no shortage of gun-toting babes with eccentric haircuts and extravagant wardrobes. Naked Soldier never turns up the heat the way Naked Killer (1992) did and the only scene to have any kind of erotic charge is where Lena Lam Kai-Ling changes before the mirror. Ellen Chan Nga-Lun and Ankie Beilke are the usual eye-candy we’ve come to expect from Jing Wong. Maggie Q made Naked Weapon (2002) her own, something which Jenn Tse fails to do with Naked Soldier. Not that Tse is a bad actress per se or doesn’t know how to handle herself during an action scene. Compared to Chingmy Yau and Maggie Q she’s the least remarkable of the franchise thus far. Since 2002 nudity has become something of a rarity in the Naked series and Naked Soldier is completely free of it altogether. In part due to this being a production designed specifically for the Mainland China market and actresses not wanting to limit their career options. Here’s hoping that Frieda Hu Meng-Yuan (胡梦媛), Mavis Pan Shuang-Shuang (潘霜霜), Lavina Chung Wai-Chi (鍾蕙芝), Miki Zhang Yi-Gui (张已桂), or Yang Ke (杨可) will be selected to revive the stagnating Naked franchise.

Compared to Naked Killer (1992) and Naked Weapon (2002) the third installment is rather tame. Like Naked Weapon before it, it is more of a conventional action movie with only the name remaining from what the series started as. Twenty years after Chingmy Yau we get the indistinct Jenn Tse. Hopefully the next episode with return the franchise to its former glory with a brand new star. There are more than enough potential candidates to choose from for a proposed fourth Naked production. Jing Wong never disappoints in his choice of female talent and no franchise needs more lifesblood than the Naked series. If Wong wants to keep this series relevant he desperately needs a starlet to keep young audiences interested. Naked Soldier is tolerable enough for what it is, but it never sets its goals particularly high to begin with. There’s a market for tough-as-nails action with a strong female lead. Naked Soldier is NOT it

Plot: various factions wage war over the Twin Swords of Earth and Sky

After his New Wave period – encompassing the three features The Butterfly Murders (1979), We’re Going to Eat You (1980), and Dangerous Encounter of the First Kind (1980) – director/producer Tsui Hark started working for Cinema City Company and Golden Harvest, the company founded by Shaw Brothers exile Raymond Chow. Zu: The Warriors from the Magic Mountain (1983) - produced by Paragon Films for Golden Harvest - revolutioned the way special effects were used in the fantasy wuxia genre and established Tsui Hark as both a visionary and innovator. In fact the sheer number and complexity of the effects were unprecedented in Hong Kong cinema at the time. Derived from stories of mythology and antiquity and with an all-star cast of established and new talent Zu: The Warriors from the Magic Mountain was nominated 5 times at the 3rd Hong Kong Film Awards (Best Action Choreography - Corey Yuen, Best Actress - Brigitte Lin, Best Art Direction - William Chang, Best Film Editing - Peter Cheung and Best Picture) and set Tsui Hark on course in becoming ‘the Steven Spielberg of Asia’.

Zu: The Warriors from the Magic Mountain is probably the single most important movie in the early Tsui Hark canon. It was the transitional title in his evolution from low-budget (and largely commercially unsuccesfull) cinematographer to being the master of big-budget fantasy – and period costume wuxia. For the production of Zu: The Warriors from the Magic Mountain Hark founded Film Workshop and Cinefex and brought in Western special effects artisans to help him create 'the ultimate Chinese mythological spectacular'. Zu: The Warriors from the Magic Mountain was adapted from Lee Sau-Man’s 64 volume novel, “The Legend of the Zu Mountain Warriors,” and manages to squeeze 50 volumes into a nearly two-hour epic. Among the cast are Yuen Biao, Sammo Hung Kam-Bo, Norman Chu Siu-Keung, Corey Yuen Kwai as well as Brigitte Lin, Moon Lee, and Judy Ongg. Widely regarded as the Hong Kong equivalent to George Lucas’ Star Wars (1977) it made a staggering 15 million HK dollars at the box office and set the stage for Tsui Hark to helm even more ambitious projects. Art director William Chang would later become a key collaborator with director Wong Kar-Wai.

Di Ming Qi (Yuen Biao) is a Western Army scout during the Tang Dynasty. He is tired of the near-constant state of war the country is in. Chased from the battlefield for simultaneously obeying and disobeying direct orders from two different generals;. he runs into an equally disillusioned Eastern Army soldier (Sammo Hung Kam-Bo) and the two agree on the absurdity of the conflict and the futility of the concept of war. The two bond over the fact that they are indeed neighbors and pretend to be killed in order to escape the chaos and bloodshed. After making their escape from an invading faction Di Ming Qi falls into a crevasse and a thunderstorm forces him to retreat into a nearby cave to seek shelter and relative safety. The cave is part of the Zu mountainrange, in the Bazu region of Western China, a place of great strategic importance in times of war – and home to fabled antediluvian legends and primordial arcane mysteries. Without realizing it Di Ming Qi will soon find himself engaging in an epic battle for survival between the dominating forces of the terrestrial and the ethereal.

In the bowels of Zu, the Magic Mountain Di Ming Qi is beset by supernatural horrors until Ding Yin (Adam Cheng) comes to his rescue. Di Ming Qi vows to become Ding Yin’s pupil in order to pay his lifedebt. The two are attacked by the Blood Devil, a supreme evil manifesting itself as animated red cloths, that has been held at bay for the past century by powerful but aging monk Chang Mei, or Long Brows (Sammo Hung Kam-Bo). The Blood Devil feeds itself with the skulls of young boys and despite Chang Mei’s valiant attempts to contain it, he will only be able to hold off the Blood Devil for 49 more days before he too becomes corrupted by the demon’s malignant powers. They find allies in Xiao Ru (Damien Lau) and Yi Zhen (Mang Hoi), or Wisdom and Innocence as international translations call them, a master and pupil from Kunlun. Chang Mei instructs them to find the Celestial Swords to defeat the ancient hatred. They must seek Lei Yikkei, the current keeper of the Twin Swords of Earth and Sky, who according to legend meditated and practiced in a Tin-Ngoi-Tin cave. The four first face off against the Evil Cult, led by the Devil Disciple (Hark-On Fung), in the Sek-Lam temple. In the skirmish Xiao Ru is injured and the cure can only be found at Yiu-Chi-Sin fortress.

Before arriving at the fortification the group witnesses The Red Witch, a sorceress of unexplained origin. At the Celestial Fortress the fellowship is beset by a legion of female warriors under command of Mu Sang (Lee Choi-Fong, as Moon Lee). Lady Li I-Chi (Ha Kwong-Li) explains that they don’t take kind to the unannounced intrusion. Their pleads for help fall on deaf ears and Lady Li I-Chi exposits that the “immortal ice flame of the fort” signals the arrival of the Countess Of Jade Pond (Brigitte Lin). Ding Yin uses his magic to artificially keep the flame burning forcing the Countess to grant them a visitation. To their dismay the Countess is the same red-clad sorceress they met earlier, and the group understandably attacks her. Di Ming Qi is injured during the altercation and is healed by Ding Yin. The Countess Of Jade Pond reluctantly agrees to heal the wounded Xiao Ru. The process takes its toll on the Countess leading her to faint. Ding Yin hurries to her rescue, embarassing her while at it, but the two come to like each other. Ding Yin hands Di Ming Qi a sword but the latter soon finds out that the sword has been poisoned by the Red Witch. Di Ming Qi realizes that he’s bound to fall victim to the same possession Xiao Ru was just cured of. The Countess wants to help, but is too exhausted from the previous healing session. Ding Yin asks that she kill him, a request that draws her ire and soon the two factions are engaged in a battle that eventually leaves the Celestial Fortress encased in ice. Di Ming Qi, Yi Zhen, and head guard Mu Sang somehow are able to escape the frozen onslaught.

The three continue their journey and eventually run into Tin Dou (Norman Chu Siu-Keung), who international versions refer to as Heaven’s Blade, who has kept the unholy forces of evil at bay for over a century somewhere at the border between heaven and hell. Ding Yin, now completely overtaken by evil, appears but Di Ming Qi courageously battles him with one of his own swords until they are sucked into the lungs of hell. Tin Dou sacrifices himself to allow the duo to escape. Once they have regained their composure they notice two swords – green and purple – overhead and soon they find Lei Yikkei (Judy Ongg, as Weng Qian-Yu) on a nearby peak. Lei Yikkei informs them that time is running out and that they have to be united, in spirit and heart, in order to wield the Twin Swords of Earth and Sky. Lei Yikkei joins the unification existing within the two combined warriors. While all of this is transpiring the Countess Of Jade Pond meets the quarrelling Western and Eastern armies, but their common greater enemy leads them to working together. Once again the demonic Ding Yin appears, but with the last of her sorcery the Countess is able to defeat the monk. Just as the Blood Devil is to be unleashed, the Dual Swords are combined and the ancient hatred is defeated. Now having acquired near god-like powers the youths dedicate themselves to uniting the people of earth.

Brigitte Lin as the Countess Of Jade Pond

Taiwanese actress Brigitte Lin came from the Golden Harvest stable and was an experienced veteran from over 100 movies. Lin was a staple in Taiwanese dramas and romance, but towards the late 1970s veered towards historical drama, war, and action productions, before becoming a pillar in period costume wuxia in the eighties and nineties. Lin was a frequent collaborator with director Chu Yin-Ping in her earlier days and Zu: The Warriors from the Magic Mountain marked her reinvention under Tsui Hark. Lin scored her first role of note with the modest The Ghost Of the Mirror (1974), a loose adaption of Pu-Sing Ling’s Strange Stories from a Chinese Studio that Hark himself would adapt a few years later as A Chinese Ghost Story (1987). Lin initially found fame with cross-dressing roles in The Dream Of the Red Chamber (1978) and Peking Opera Blues (1986). She was a multiple Taiwan Golden Horse Award nominee but didn’t win one such award until Red Dust (1990). The award led to a second peak in her career with the likes of Dragon Gate Inn (1992) and Swordman II (1992). Lin would be put in a white wig in the fantasy wuxia The Bride with White Hair (1993), in both the original and its sequel as well as in the disastrous and widely derided Louis Cha adaptation Dragon Chronicles – The Maidens of Heavenly Mountain (1994).

Moon Lee as high guard Mu Sang

Before becoming a regular in the Girls with Guns HK action genre Moon Lee scored her first role of note as Mu Sang, high guard of the Countess Of Jade Pond in Zu: The Warriors from the Magic Mountain. In the following years Lee established herself as one of Hong Kong’s most elegant low-budget action stars by appearing in Teresa Woo San’s Girls with Guns archetype Angel (1987) alongside Yukari Oshima and Elaine Liu. For the next 6 years Lee would star in over 25 different action productions, including Princess Madam (1989), Devil Hunters (1989), Mission of Condor (1991), Mission of Justice (1992) and Kickboxer's Tears (1992). By 1993 the Girls with Guns genre was all but spent with budgets dwindling even further and productions relocating to the Philippines, Lee bade the acting profession farewell. Norman Chu was a Shaw Bros veteran who played a variety of roles in offerings as diverse as The Flying Guillotine (1975), The Mighty Peking Man (1977), The 36th Chamber of Shaolin (1978), Duel to the Death (1983), Sea Wolves (1991). Chu was a regular in Louis Cha adaptations appearing in The Battle Wizard (1977), Demi-Gods and Semi-Devils (1982) as well as Dragon Chronicles – The Maidens of Heavenly Mountain (1994).

Judy Ongg as Lei Yikkei during the unification of the Twin Swords of Earth and Sky

Zu: The Warriors from the Magic Mountain is a milestone in Hong Kong cinema for all the right reasons. It’s a nearly two-hour, special effects tour de force of wondrously grand proportions that sets a bunch of beautiful young people on a perilous epic quest to defeat an ancient evil. It’s a veritable high point of Hong Kong cinema that shouldn’t be missed by anyone with an interest in cinema, Asian or otherwise. With a cast including Yuen Biao, Adam Cheng, Damian Lau, Sammo Hung, Corey Yuen, Brigitte Lin, Moon Lee and Judy Ongg Zu: The Warriors from the Magic Mountain is a gathering of current and soon-to-be HK superstars and a young director with talent to spare. No wonder Tsui Hark went on to become one of the most revered Asian directors. Zu: The Warriors from the Magic Mountain brims with energy and is a visual spectacle to behold. Just four years later Hark would force his international breakthrough with the ghost romance A Chinese Ghost Story (1987) with Leslie Cheung and Joey Wong. If anything, Zu: The Warriors from the Magic Mountain very much sets the stage for that.